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X-WR-CALNAME;VALUE=TEXT:Harvard-Yale-Brown Graduate Conference in Book History: Preservation, Absence, Erasure (Sponsor: Harvard Mahindra Humanities Center Seminar in the History of the Book)
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SUMMARY:Harvard-Yale-Brown Graduate Conference in Book History: Preservation, Absence, Erasure (Sponsor: Harvard Mahindra Humanities Center Seminar in the History of the Book)
DESCRIPTION:<div>	<a href="https://docs.google.com/forms/d/e/1FAIpQLSdSaIlVZAYIwmFFGQLqGa3clrrpFUIrYxBmuRUaEirYvVJqYA/viewform?usp=sf_link" target="_blank" title="">Please RSVP</a></div><div>	<a href="https://docs.google.com/document/d/1TnacreVzolJ6US7R0sqgjHqLKbQFNCtc/edit?usp=sharing&amp;rtpof=true&amp;sd=true" target="_blank" title="">Schedule link</a></div><div>	 </div><div>	<p dir="ltr" id="docs-internal-guid-23051049-7fff-7139-2f89-285362256364" style="line-height:1.2;text-align:center;margin-top:0pt;margin-bottom:0pt;">		 	</p>	<p dir="ltr" id="docs-internal-guid-23051049-7fff-7139-2f89-285362256364" style="line-height:1.2;text-align:center;margin-top:0pt;margin-bottom:0pt;">		<span>Harvard-Yale-Brown Graduate Conference in Book History</span>	</p>	<p dir="ltr" style="line-height:1.2;text-align:center;margin-top:0pt;margin-bottom:0pt;">		<span>Preservation, Absence, Erasure</span>	</p>	<p dir="ltr" style="line-height:1.2;text-align:center;margin-top:0pt;margin-bottom:0pt;">		 	</p>	<p dir="ltr" style="line-height:1.2;text-align:center;margin-top:0pt;margin-bottom:0pt;">		<span>Harvard University, Barker Center 133</span>	</p>	<p dir="ltr" style="line-height:1.2;text-align:center;margin-top:0pt;margin-bottom:0pt;">		<span>May 6, 2024</span>	</p>	<p dir="ltr" style="line-height:1.2;text-align:center;margin-top:0pt;margin-bottom:0pt;">		<span> </span>	</p>	<p dir="ltr" style="line-height:1.2;margin-top:0pt;margin-bottom:0pt;">		<span>9:30–11:15: Authorship</span>	</p>	<ul style="margin-top:0;margin-bottom:0;padding-inline-start:48px;">		<li aria-level="1" dir="ltr" style="-18pt;">			<p dir="ltr" role="presentation" style="line-height:1.2;margin-top:0pt;margin-bottom:0pt;">				<span>Andrew Koenig, “Forster's Locked Journal (and Other Archival Omissions)”</span>			</p>		</li>		<li aria-level="1" dir="ltr" style="-18pt;">			<p dir="ltr" role="presentation" style="line-height:1.2;margin-top:0pt;margin-bottom:0pt;">				<span>Jeffrey Careyva, “John Ashbery’s Evanescence &amp; Preserving a Poet’s Library”</span>			</p>		</li>		<li aria-level="1" dir="ltr" style="-18pt;">			<p dir="ltr" role="presentation" style="line-height:1.2;margin-top:0pt;margin-bottom:0pt;">				<span>Ruthie Block, “Another Recitation of Her Trace: On Dorothy Porter Wesley and Fugitive Planning for Fugitive Texts”</span>			</p>		</li>		<li aria-level="1" dir="ltr" style="-18pt;">			<p dir="ltr" role="presentation" style="line-height:1.2;margin-top:0pt;margin-bottom:0pt;">				<span>Daniela Jara Rodríguez, “Following the Material Traces of an Untimely Idea: Atrás do Pensamento (ms), Objeto Gritante (ms) to Água Viva (1973) Ou Como Fazer um Anti-livro para Acabar com o Tempo”</span>			</p>		</li>	</ul>	 	<p dir="ltr" style="line-height:1.2;margin-top:0pt;margin-bottom:0pt;">		<span>11:15–11:45: Break</span>	</p>	 	<p dir="ltr" style="line-height:1.2;margin-top:0pt;margin-bottom:0pt;">		<span>11:45–13:00: (Built) Environments</span>	</p>	<ul style="margin-top:0;margin-bottom:0;padding-inline-start:48px;">		<li aria-level="1" dir="ltr" style="-18pt;">			<p dir="ltr" role="presentation" style="line-height:1.2;margin-top:0pt;margin-bottom:0pt;">				<span>Claire Climer, “‘More ways to branch than any cedar pencil will ever find’: Book Materiality in Richard Powers’s The Overstory (2018)”</span>			</p>		</li>		<li aria-level="1" dir="ltr" style="-18pt;">			<p dir="ltr" role="presentation" style="line-height:1.2;margin-top:0pt;margin-bottom:0pt;">				<span>Paul Wu, “A Book as a Blueprint: Authenticity, Authority, and the Facsimile Reproduction of the Nashville Parthenon”</span>			</p>		</li>		<li aria-level="1" dir="ltr" style="-18pt;">			<p dir="ltr" role="presentation" style="line-height:1.2;margin-top:0pt;margin-bottom:0pt;">				<span>Peter Haskin, “Miraculous Images Lost and Found in Villaseñors Theatro Americano (1746–48)”</span>			</p>		</li>	</ul>	 	<p dir="ltr" style="line-height:1.2;margin-top:0pt;margin-bottom:0pt;">		<span>13:00–14:00: Lunch</span><br> 	</p>	<p dir="ltr" style="line-height:1.2;margin-top:0pt;margin-bottom:0pt;">		<span>14:00–15:15: Publishers’ Choices</span>	</p>	<ul style="margin-top:0;margin-bottom:0;padding-inline-start:48px;">		<li aria-level="1" dir="ltr" style="-18pt;">			<p dir="ltr" role="presentation" style="line-height:1.2;margin-top:0pt;margin-bottom:0pt;">				<span>Feier Ying, “Knowledge Replicas: Hand-Copying Books and the Continuity of Painting Knowledge in Seventeenth-Century Mount Yu, China”</span>			</p>		</li>		<li aria-level="1" dir="ltr" style="-18pt;">			<p dir="ltr" role="presentation" style="line-height:1.2;margin-top:0pt;margin-bottom:0pt;">				<span>Shih-Yu Juan, “Beyond Written Text: Coordinating Diverse Printing Technologies for Scientific Translation in Late Nineteenth-Century China”</span>			</p>		</li>		<li aria-level="1" dir="ltr" style="-18pt;">			<p dir="ltr" role="presentation" style="line-height:1.2;margin-top:0pt;margin-bottom:0pt;">				<span>Louise Moulin, “Absences as Catalysts: An Inquiry into Publishers and their Networks in 17th-Century Paris”</span><br> 			</p>		</li>	</ul>	<p dir="ltr" style="line-height:1.2;margin-top:0pt;margin-bottom:0pt;">		<span>15:15–15:45: Break</span>	</p>	 	<p dir="ltr" style="line-height:1.2;margin-top:0pt;margin-bottom:0pt;">		<span>15:45–17:00: Alternative Material Texts</span>	</p>	<ul style="margin-top:0;margin-bottom:0;padding-inline-start:48px;">		<li aria-level="1" dir="ltr" style="-18pt;">			<p dir="ltr" role="presentation" style="line-height:1.2;margin-top:0pt;margin-bottom:0pt;">				<span>Sergio Leos, “Transatlantic Oral Communication in Sixteenth Century Iberian Empires”</span>			</p>		</li>		<li aria-level="1" dir="ltr" style="-18pt;">			<p dir="ltr" role="presentation" style="line-height:1.2;margin-top:0pt;margin-bottom:0pt;">				<span>Andrew Suárez, “‘I Will Not Lose My Identity, for I Am Already Whole’: Recovering the Zine Archive, Zinesters of Color, and Reading Zines as Ephemera”</span>			</p>		</li>		<li aria-level="1" dir="ltr" style="-18pt;">			<p dir="ltr" role="presentation" style="line-height:1.2;margin-top:0pt;margin-bottom:0pt;">				<span>Manny Medrano, “Quipu Fragmentology”</span>			</p>		</li>	</ul></div>
LOCATION:Barker Center, room 133. 12 Quincy St, Cambridge MA, 02138 (Harvard University)
STATUS:CONFIRMED
DTSTART:20240506T040000Z
DTEND:20240506T040000Z
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